Tuesday, 25 January 2011

treatment

Treatment

The opening of ‘The Host’ begins with a dark and uneasy build in non diagetic music, along with some opening credits that are white, creepy text on a black background. The camera then cuts to a creepy forest to show an establishing shot. The camera pans and tracks around before cutting away to a room. The camera then moves around the room. The camera views a tv that is still turned on and also a lamp which is turned on. The camera then shows and birds eye view shot of a couple in bed together. The camera zooms into the woman in bed, who starts to become restless. The camera then cuts away back to a forest and the woman is walking through it. Still throughout sinister music is being played. The camera cuts back to the bedroom where the woman, who is called Angel is seemingly having a nightmare. The camera then moves around the room and paranormal activities seem to be occurring. The tv starts to switch channel and the lamp begins to clicker. The non diagetic music builds again. The camera once more cuts to the forest and Angel is seemingly in danger. She starts to run away. The camera keeps cutting back and too from the dream to the bedroom where Angel becomes more stressed. She then sees an image of her boyfriend dead, on the floor after an image of an angel figure was seen in the forest. Angel awakes and for a brief moment seems to be possessed. She then awakes normally, realising it was a dream, she then turns over and cuddles her boyfriend Matt. Unknown to her as she falls back to sleep, the camera slowly zooms into Matt’s face, he has blood around his mouth, the non diagetic sounds begin to increase in volume. A close up of Matt’s face is revealed. Matt has died an unexplainable death. The scene then cuts to the title ‘The Host’ in white bold text, across a dark background.
Many weeks later, after Matt’s funeral, Angel becomes increasing alarmed and scared by the gruesome image in her mind of Matt dead in a forest and the next morning he has suffered a death that is deemed unexplainable, even by post mortem. The images in her mind begin to scare her as she feels responsible for the death. However, ever since that day, she has been having horrible nightmares of people dying, and each morning someone has died, either someone she knows, or someone on the news, however, the deaths are remarkably like what she dreams about. However as the dreams become much clearer and more revealing, she starts to witness horrific deaths in the street. She seeks help from her friends and from doctors, however they become alert to her behaviour, believing that she is suffering from the trauma of her boyfriend’s death. They can’t see anything wrong with her, and begin to question her mental health and try to convince her there may be a problem. She then seeks help from a Priest, Reverend Jeremy Thomas. He believes that she is under the influence of an evil spirit and she is what’s known as a Host to the unknown, which are dark spirits. She thinks the Reverend is mocking her mental state.
Towards the end of the film, she has several violent images of members of her family being killed, including the Priest, however they are still alive. She begins to believe Reverend Thomas as paranormal activities increase in her home. However, when she begins to warn her family, they take matters into their own hands, believing she has some mental health issues. Images within her dreams become much more realistic, and Angel begins to believe that they are soon about to die. Unknown to Angel but known to the Priest the Host has almost sucked the life from Angel. The Priest rushes to find her, but she is locked away for her own good due to her families fears. The Priest then suffers a horrific death before he can warn her that all her dreams will become reality the next time she sleeps, which will cause a major catastrophe as the Host could cause an entire population to suffer an unexplainable fate. However, as the Host can cause paranormal activities, as she falls asleep, Matt appears and whispers something into her ear, she herself then enters her own dream. This has catastrophic consequences as she rushes to try and prevent the Host from gaining control of her body, but racing to regain control of her body before something horrific happens to her body in reality and the population around her.

Section Two: Researching The thriller genre

Section two research of the thriller genre
Se7en
Narrative Structure:
7 days till detective Somerset’s (Morgan freeman) retirement
7 murders over a period of 7 days
The murders are based on the 7 deadly sins
All relates to the number 7.




Codes and Conventions
The transformed city:
The normality of the city has changed because of the murders
Heroic romance:
The killer was an ordinary person who decided to do god's work and kill people who embodied the seven deadly sins. The detective's (mills & Somerset) also had to change do to the weirdness of the murders
The exotic:
Killing people in accordance to the seven deadly sins. Mill’s wife is also exotic as she doesn't fit in anywhere in the plot of the film
Mazes & labyrinths:
The killer is in plain view and could have always been there
The case is a physically and mentally
Partial vision
The killer's face isn't revealed till the end
Concealment & protraction
Identity of murderer is concealed till the end
The killer protracts his emotions by tagging each sin at the scene of the crime
The question and answer model
Why did the murderer kill the seven people and how are they connected to their sin


Camera work
Tracking shot during chase scene
Close up's of victims deceased bodies


Mise -En Scene
Grey dreary scenery
Grey costumes


Sound
Diagetic: ticking, police sirens
Non-diagetic: creepy music to make the audience on edge


Graphics
Black screen then cuts out to small scenes
Gothic white text
Jaws
Narrative structure
In these following the shark
On the beach at a party
Goes swimming (whilst drunk)
Gets eaten (ouch)


Codes and conventions
Partial vision- don't see the shark
Silhouette of Chrissie
Transformed city - beach=murder scene= ouch


Camera work
Tracking shot of the party
Also shot from the sharks point of view
Close up on the girls face as she gets pulled along then under long shot of drunken guy on the beach


Mise- En -Scene
Colours on both scenes contrast
Darkness shows imminent danger
Light shows safety
Sea = death
Beach = sanctuary
Laid on the beach legs look like sharks fin


Sound
Non-diagetic: sonar sound, dark ominous music
Diagetic: sounds of the sea, buoy, chatter, beach music


Editing
Camera blends into each shot smoothly


Graphics
White times roman font
Special font for title of film


Silence of the lambs
Narrative structure
Running through what seems to be an ordinary forest
Sterling looks like she is being chased when in fact she is training for the fib
She then enters the building where she enters an office


Thriller Codes and conventions
Plot is concealed (you can't tell what the film is about by the opening which is odd)
 She is isolated in a forest (PEOPLE DIE IN FORESTS WITHOUT A TRACE)
At the beginning she embodies a thriller stereotype (a venerable woman) but it turns out that she's a woman on a mission


Camera work
 Tracking shot looks like someone is following sterling (pretty creepy
Close up of sterling’s face and feet shows some kind of terror
Pans and tilts to show the ropes
Has an establishment shot of the fib building?


Mise -En-Scene
Grey trees
Misty forest
Blue uniform<red uniforms
Blue uniform makes sterling stand out

Section one: The thriller genre


Section one The Thriller Genre:
A thriller is a film that provides thrills and keeps the audience cliff-hanging at the "edge of their seats" as the plot builds towards a climax. The tension usually arises when the character(s) is placed in a menacing situation, a mystery, or an escape from which escaping seems impossible. Life is threatened, usually because the principal character is unsuspectingly or unknowingly involved in a dangerous or potentially deadly situation.
Thrillers mostly take place in ordinary suburbs/cities. Though sometimes, they may take place wholly or partly in exotic settings such as foreign cities, deserts, Polar Regions, or the high seas. The heroes in most thrillers are frequently ordinary citizens unaccustomed to danger. However, more common in crime thrillers, they may also be "hard men" accustomed to danger, like police officers and detectives. While such heroes have traditionally been men, women lead characters have become increasingly common.
Thrillers often overlap with mystery stories but are distinguished by the structure of their plots. In a thriller, the hero must stop the plans of an enemy rather than uncover a crime that has already happened. While a murder mystery would be spoiled by a premature disclosure of the murderer's identity, in a thriller the identity of a murderer or other villain is typically known all along. Thrillers also occur on a much grander scale: the crimes that must be prevented are serial or mass murder, terrorism, assassination, or the overthrow of governments. Jeopardy and violent confrontations are standard plot elements. While a mystery climaxes when the mystery is solved, a thriller climaxes when the hero finally defeats the villain, saving his own life and often the lives of others. In thrillers influenced by film noir and tragedy, the compromised hero is often killed in the process.
Martin Rubin wrote a book about thrillers aptly named thrillers.
There are 7 practioners  of the thriller genre
CK Chesterton: The
  Transformed City
Chesterton was a British author
said " thrillers are the poetry of life "
the use of an ordinary urban environment
  into anew extraordinary one
Northrop Frye: The Heroic Romance
the hero is an ordinary person thrusted into an extraordinary circumstance
the way of the world is changed slightly (like altering time )
John Cawelti: The Exotic
modern city with enchantment
  and some kind of mystery  with some kind unfamiliarity, includes artifacts from strange lands / cultures
WH Matthews: Mazes & Labyrinths
ORIGIN OF GEEK MYTHOLOGY
the hero is usually in trouble
full of twists and turns to find the bad guy
metaphor for narrative
Pascal Banitzer: Partial Vision
audience see little to nothing
what we don't see is as important to what do see
it's like a unlimited prison
blind spots introduced to add suspense and unanswered questions
Lars Ole Saurberg:Concealment& Protraction
concealment hides things from the audience
protraction is like a big game of hide & seek
Noel Carrol: The Question & Answer Model
audience has question that needs to be asked
probability factor things that are likely to happen are likely to be boring
  as opposed to stuff unlikely to happen
moral factor morally right outcome increases involvement